{"accessibility":"METERED","authors":[{"description":{},"email":"gbouchard@lesoleil.com","imageUrl":"https://images.omerlocdn.com/resize?url=https%3A%2F%2Fgcm-v2.omerlocdn.com%2Fproduction%2Fglobal%2Ffiles%2Fimage%2F5d68d2c8-8241-49e2-8f97-ea43e9ffae22.png&width=1024&type=jpeg&stripmeta=true","location":"","name":"Geneviève Bouchard","source":"Le Soleil","twitter":"GenBouchard"}],"channel":"Cinéma","chapters":[{"position":0,"text":"

La cordonnière, François Bouvier

Avec La cordonnière, François Bouvier propose un mélodrame classique, mais très beau, bien épaulé d’une direction artistique soignée. À l’avant-scène d’une distribution où évoluent plusieurs visages connus, Rose-Marie Perreault incarne avec une présence envoûtante celle qui a été une pionnière à plus d’un égard.

En revisitant la série de romans de Pauline Gill, le film met en exergue l’histoire, inspirée de faits vécus, de Victoire Du Sault (Rose-Marie Perreault, Élise Guilbault), première femme à avoir exercé le métier de cordonnière au Québec, au milieu du XIXe siècle.

L’épopée romanesque de La cordonnière s’ancre toutefois surtout dans un triangle amoureux peu orthodoxe dans lequel cette femme moderne avant l’heure a tenu les commandes.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":1,"type":"html","contents":[],"photos":[]},{"position":2,"text":"

33 tours, Clement Virgo

La première scène de 33 tours, nouveau long métrage du cinéaste torontois Clement Virgo, résume bien le cœur de son récit : deux frères escaladent dans un bourdonnement menaçant un pylône électrique.

Un mélange de danger, d’une volonté de s’élever et d’une nécessaire solidarité s’exprime dans cette œuvre forte remarquée au Festival du film de Toronto et qui domine le tableau des nominations aux Prix Écrans canadiens.

Ancré en deux temps séparés par une dizaine d’années, 33 tours trouve le ton juste pour parler de fraternité, d’immigration, mais également beaucoup de deuil et de résilience.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"contentType":"jw","monetizationEnabled":true,"position":3,"thumbnailUrl":"https://cdn.jwplayer.com/thumbs/ywjPc0Gh-1280.jpg","type":"video","url":"https://cdn.jwplayer.com/manifests/ywjPc0Gh.m3u8","videoUrl":"https://cdn.jwplayer.com/manifests/ywjPc0Gh.m3u8","contents":[],"photos":[]},{"position":4,"text":"

Crépuscule pour un tueur, Raymond St-Jean

Il y a quelque chose d’à la fois fascinant et effrayant à se replonger dans l’histoire du meurtrier Donald Lavoie sous la lentille du cinéaste Raymond St-Jean. Dans Crépuscule pour un tueur, Éric Bruneau campe avec une précision nerveuse cet homme qui a assassiné de sang-froid une trentaine de personnes avant de devenir délateur.

En nous ramenant aux dernières années actives de Lavoie, le cinéaste propose une incursion dans un quotidien pas banal, indéniablement tendu. Il offre aussi un voyage dans le temps soigneusement orchestré, au tournant des années 80.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":5,"type":"html","contents":[],"photos":[]},{"position":6,"text":"

Le plongeur, Francis Leclerc

Phénomène littéraire signé Stéphane Larue, le roman Le plongeur a rallié les lecteurs avec sa description hyperréaliste de l’univers de la restauration, doublée du portrait plus grand que nature d’un jeune homme dépendant au jeu.

Francis Leclerc porte l’œuvre à l’écran avec beaucoup de bagout, mais un angle d’attaque plus propre et poli que l’impression laissée par le bouquin.

Avec le scénariste Éric K. Boulianne, le cinéaste offre une adaptation rythmée, fidèle à l’esprit du roman. Moins une couche de crasse et de honte, disons.

Offert au cinéma

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":7,"type":"html","contents":[],"photos":[]},{"position":8,"text":"

Katak, le brave béluga, Christine Dallaire-Dupont et Nicola Lemay

Le Québec n’a pas à rougir de son cinéma d’animation. Ou plutôt oui, il devrait rougir de fierté. Cinquième long métrage des Productions 10e Ave, Katak, le brave béluga nous fait honneur à bien des égards. À nos paysages, à notre fleuve, à notre faune, à nos voix.

À ceux qui voudraient prendre la direction du Sud pour la relâche, Katak lance à l’inverse une invitation vers le Nord. Et elle vaut le voyage.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":9,"type":"html","contents":[],"photos":[]},{"position":10,"text":"

Chien blanc, Anaïs Barbeau-Lavalette

Adapté d’un roman de l’auteur français Romain Gary, qui s’est inspiré de sa propre expérience des tensions raciales aux États-Unis, le film Chien blanc de la Québécoise Anaïs Barbeau-Lavalette remet plusieurs questions en perspective à une époque où celles-ci sont encore malheureusement d’actualité.

Au lendemain de l’assassinat de Martin Luther King, une famille blanche recueille chez elle un chien abandonné qui se laisse apprivoiser par ses nouveaux maîtres. Ceux-ci se rendront néanmoins compte que la bête n’est pas douce envers tout le monde : elle a été dressée spécifiquement pour attaquer les Noirs.

Offert en vidéo sur demande.

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":11,"type":"html","contents":[],"photos":[]}],"creationDate":"2021-01-06T21:28:45.121Z","externalIds":{},"firstPublicationDate":"2021-01-07T16:51:44.260Z","free":false,"id":"646e8a83f8295e6c30e9dd3a2f45fa6a","lead":"Vous hésitez ou êtes en panne d'inspiration pour une bonne soirée cinéma? Nous partageons nos œuvres favorites au gré du temps, sur grand écran et sur toutes les 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