{"accessibility":"FREE","authors":[{"description":{},"email":"vmarcoux@lesoleil.com","imageUrl":"https://images.omerlocdn.com/resize?url=https%3A%2F%2Fgcm.omerlocdn.com%2Fproduction%2Fglobal%2Ffiles%2Fimage%2F0de272d3-4ed8-46dc-8580-c820f5ad921c.jpg&width=1024&type=jpeg&stripmeta=true","name":"Valérie Marcoux","source":"Le Soleil","twitter":"ValeriMarcoux"}],"channel":"Musique","chapters":[{"position":0,"text":"

Endless Summer Vacation, Miley Cyrus

Dévoilée plus tôt cette année, l’enivrante Flowers a rapidement conquise les plateformes d’écoute et le cœur d’innombrables fans avec son farouche optimisme. Sur ce nouvel album, on retrouve avec plaisir la voix rugueuse de l’Américaine qui est mise en valeur par des mariages créatifs entre la musique pop et folk; comme quand l’harmonica rencontre les synthétiseurs dans Thousand Miles. Mais c’est en compagnie d’un piano que l’interprétation de la chanteuse nous touche le plus intimement (You, Muddy Feet, Wonder Woman). La vedette succombe aussi aux charmes de l’électro-pop et propose un enchainement de pièces planantes et dynamiques (Handstand, River, Violet Chemistry). Comme l’air s’immobilise par une chaude et humide journée d’été, Rose Colored Lenses nous donne l’impression que le temps est figé alors que la musique pop fond vers des sonorités jazzées. Avant qu’on ait le temps de s’engluer dans ces vacances estivales infinies, Island nous caresse telle une brise fraîche. Voilà un album équilibré où tout le monde y trouve son compte!

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The Big Bottle Of Joy, Matt Andersen

De Halifax jusqu’en Nouvelle-Orléans en passant par Montréal, l’artiste canadien s’approprie le meilleur de la musique américaine. Avec sa voix expressive et son jeu de guitare habile, il propose des pièces exubérantes et d’autres plus touchantes qui visitent autant le blues-rock que l’Americana. On est immédiatement enivré par cette nouvelle cuvée de chansons chaleureuses. Un orgue, un piano et des choristes bonifient cette célébration musicale enveloppée d’une irrésistible aura gospel. Cette musique franche a le don de nous ramener à l’essentiel : la joie, l’amour et les personnes avec qui on aime les partager.

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Tome III : L’accomplissement, Dan L’initié

Le mélange de country et de rap qu’on découvre dans la chanson Success Road est rafraichissant! On est stimulé par la recherche d’originalité dans les beats que propose le rappeur d’origine wendat avec son complice DJ Horg. Les percussions inspirées de rythmes traditionnels autochtones rendent les morceaux particulièrement excitants. Les textes de Dany Proulx ne se laissent pas dominer par cette super musique et se révèlent tout aussi attractifs. L’artiste qui se décrit comme un rappeur conscient et spirituel nous parle de paternité, d’amour, de douleur et de résilience – la sienne, mais aussi celle des peuples autochtones du Canada. Sur cet album bien ficelé, Dan l’initié a invité le rappeur mi’kmaq Q052, le chanteur country Gator Beaulieu et Sans Pression.

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Imaginary Friend, Mirror Mirror

Il y a quelque chose d’envoûtant dans la délicatesse de cette musique folk orchestrale. Pour ce mini album essentiellement acoustique, l’autrice-compositrice-interprète montréalaise s’est entourée d’un mini orchestre. Claviériste et de choriste pour Patrick Watson, The Barr Brothers, Matt Holubowski et plusieurs autres, Lisa Iwanycki évolue aussi avec les groupes Creature et Blood and Glass. Elle trace maintenant son propre chemin avec autant d’originalité que de technique. Chaque chanson est une nouvelle intrigue pour l’oreille qui nous fait frissonner sous l’effet d’une nouvelle émotion. On est fasciné par la pop baroque qui se mélange aux sonorités néoclassiques sur cette ode contemplative au moment présent et aux contacts humains.

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Cracker Island, Gorillaz

On n’est pas certain de vouloir passer nos vacances sur Cracker Island. On sent qu’il s’y passe quelque chose d’étrange et de menaçant malgré la douceur et les rythmes ensoleillés qu’on découvre dans cet univers électro-pop minimaliste. Certains morceaux sont particulièrement hypnotiques et d’autres plus imprévisibles. Les artistes jouent avec le tempo pour offrir des contrastes inattendus comme dans Skinny Ape où des moments de grâces sont suivis par d’autres hyperactifs.

Une belle brochette de collaborateurs vient donner de la singularité à ce huitième album du groupe virtuel mené par Damon Albarn et Jamie Hewlett. Cracker Island commence en force grâce aux contributions de Thundercat suivi de Stevie Nicks.

Avec son penchant pour la soul, Adeleye Omotayo offre une superbe performance vocale sur Silent Running... quoique la voix de Beck est particulièrement touchante sur Possession Island. Dans cette composition, l’électro s’efface le temps d'une délicate ballade.

Avec ses rythmes latins caressants, Tormenta est probablement la chanson la plus surprenante du lot. Cette collaboration avec la vedette de reggaeton Bad Bunny s’éloigne du style habituel de Gorillaz alors que New Gold nous ramène au groove qui a fait le succès du groupe. Ce mélange entrainant d’électro, de pop et de hip-hop est porté par Tame Impala et Bootie Brown.

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Across The Room, Gabrielle Shonk

Pour ce second album, Gabrielle Shonk tamise la lumière et nous entraine dans un univers introspectif et confortable. Sa musique pop s’éloigne un peu de la folk pour explorer les sonorités enveloppantes du R&B. La voix de l’artiste est aussi belle que convaincante quand elle chante son blues. Dans ses textes, les défis qui accompagnent les relations affectives côtoient ceux qui s’immiscent dans la relation qu’on entretient avec soi-même. Cette dernière étant intimement liée au thème de la santé mentale, la musicienne évoque ses propres expériences avec l’anxiété et la thérapie.

Unique chanson francophone du lot, Quand la calme reviendra clôt ce disque plutôt mature. On sent que l’autrice-compositrice-interprète a pris un pas de recul par rapport à ses émotions et qu’elle les évoque tout en étant en paix avec celles-ci. Toujours sous le signe de la maturité, People Pleaser évoque son désire de s’affirmer ainsi que de s’affranchir du jugement et des attentes des autres.

Changement de maison de disque, collaborations familiales, un suit brun inspiré par The Office : lisez notre entrevue avec Gabrielle Shonk pour en apprendre plus sur la création de Across The Room.

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Trustfall, P!nk

Le neuvième album de la vedette américaine vous fera pleurer et danser. Dédiée au défunt père de l’artiste, la première chanson nous serre le cœur alors que la deuxième nous offre l’occasion d’expier ces émotions sur une musique électro-pop. Cette dynamique se répète quelques fois dans l’enchainement des treize morceaux du disque et, parfois, elle se retrouve à l’intérieur d’une même chanson. Sa collaboration avec Lumineers est poignante.

À travers les thèmes sentimentaux, relationnels et personnels abordés par les chansons, l’artiste montre qu’elle est une femme aussi sensible que forte, capable d’introspection et d’affirmation.

Ovni disco-pop, Never Gonna Not Dance Again ne ressemble pas à ce qu’on connait de P!nk. On n’est pas convaincu qu’elle lui siée tout à fait, contrairement à l’accrocheuse Hate Me qui s’inscrit indéniablement dans l’ADN de l’artiste.

La rockeuse de la pop fait une incursion lumineuse dans la musique folk accompagnée de First Aid Kit. Dans la seconde partie de l’album, une poignée de chansons où domine le piano mettent la voix distinctive de la chanteuse en valeur. Celle-ci offre aussi un duo sensible avec l’auteur-compositeur-interprète et producteur américain Chris Stapleton qui évolue habituellement dans la musique country.

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Zayon, FouKi

Auteur et interprète de ses textes, FouKi se lance maintenant dans la composition. Pour ce quatrième album, le rappeur a mis la main à la pâte avec ses complices QuietMike, Pops and Poolboy, Ruffsound, Adem Boutlidja, BYNON et Jay Century pour créer les beats minimalistes de ses douze nouveaux titres. Il en résulte une musique hip-hop très marquée par la pop.

Dès les premières chansons, on comprend que l’artiste de 26 ans est un peu désillusionné par notre époque de Cowboy et qu’il est nostalgique d’une décennie qu’il n’a pas connu, les 80’s. Les pièces voyagent ainsi, entre le passé et le présent, avec le rappeur en quête de son Zayon, ce paradis plus connu en anglais sous l’orthographe zion.

Entre joie et nostalgie, ce voyage se déroule dans l’ambiance décontractée à laquelle le Montréalais a habitué son public. Il offre une collaboration réussie avec Imposs et une autre plutôt comique avec le P’tit Belliveau. Avec cet artiste acadien, FouKi a créé un nouvel hymne pour célébrer la Saint-Jean Baptise. Puis, avec les Belges Swing et Primero, le rappeur propose un morceau agréablement dansant. Enfin, l’album termine sur l’irrésistible Perspective.

Fouki sera au Centre Vidéotron de Québec le 22 avril prochain.

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Homemaker, Jill Barber

Après un album francophone inspirée par la pop française et le yéyé, l’autrice-compositrice-interprète revient à ses racines. La musique folk anglophone qu’elle propose aujourd’hui est notamment influencée par Brandi Carlisle, Kacey Musgraves, Patty Griffin et Courtney Marie Andrews.

Sur cet album, la Canadienne réconcilie différentes facettes de sa personne : l’artiste, la mère et l’amoureuse. Woman of My Own Dreams explicite bien la dynamique entre ces trois thématiques qui traversent les dix chansons. Homemaker met en évidence l'humilité et la force qu'il faut pour créer un foyer, tout en gardant de la place pour ses propres rêves. Les compositions semblent enveloppées de l’amour de leur créatrice qui a fait ses premiers pas à la réalisation avec Erik Neilsen pour ce disque à la fois moderne et intemporel.

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Queen of Me, Shania Twain

La reine de la pop-country n’a pas dit son dernier mot! Avec l’engouement actuel pour la musique country, son nouvel album est le bienvenu. Giddy Up! est exactement l’hymne dansant qu’on veut entendre dans le petit bar country de son quartier. La pop domine bien souvent la country sur ce disque lumineux qui nous invite à danser et à chanter avec l’artiste canadienne. Malgré les évocations de quelques déboires affectifs, on la sent assumée, heureuse et festive sur ce sixième album. Léger et entrainant, Queen of Me reste en terrain connu, mais l’exploite plutôt bien.

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